North American Indian Art
David W. Penney
Foreword by George Horse Capture
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| ‘A wonderful and consistently fascinating study … especially revealing about the interplay between the indigenous artist and the colonial audience’ | | – Scotland on Sunday |
This timely book surveys the artistic traditions of indigenous North America, from those of ancient cultures to the work of modern artists. The text is organized geographically, covering tribes as wide-ranging as the Navajo, Cheyenne, Chumash, Tsimshian and Inuit, and draws upon Native American history, the testimonies of oral tradition and the latest research in North American archaeology.
Native American art is often discussed simply as a cultural production, but this book focuses as much as possible on the individual artists, their roles in society, and the cultural and social contexts of the objects they created, whether ‘traditional’, ‘tourist’ or contemporary. The author also examines the tension between artistic practices that have spanned thousands of years and the startlingly fresh innovations that have resulted from historical circumstance.
David W. Penney is Vice President of Museum Programs and Curator of Native American Art at the Detroit Institute of Arts. George Horse Capture is Assistant to the Director at the National Museum of the American Indian and former Curator of the Plains Indian Museum in Cody, Wyoming.
Also of interest:
Framing America: A Social History of American Art
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|  |  | | | | ISBN 0500203776 | | ISBN-13 978-0500203774 | | | | 21.0 x 15.0 cm | | Paperback | | 232pp | | 187 illustrations, 80 in colour | | First published 2004 | | | | £9.95 | | | |  | | | | 
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